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The Muses

Wikipedia

Mythology for Middle School Readers

In ancient Greek religion and mythology, the Muses are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture.
The earliest known records of the Nine Muses are from Boeotia, the homeland of Hesiod. Some ancient authorities thought that the Nine Muses were of Thracian origin. There, a tradition persisted that the Muses had once been three in number.
Diodorus states that Osiris first recruited the nine Muses, along with the satyrs, while passing through Aethiopia, before embarking on a tour of all Asia and Europe, teaching the arts of cultivation wherever he went. According to Hesiod's account, generally followed by the writers of antiquity, the Nine Muses were the nine daughters of Zeus and Mnemosyne ("Memory" personified), figuring as personifications of knowledge and the arts, especially poetry, literature, dance and music.
The Roman scholar Varro relates that there are only three Muses: one born from the movement of water, another who makes sound by striking the air, and a third who is embodied only in the human voice. They were called Melete or "Practice", Mneme or "Memory" and Aoide or "Song".
However, the classical understanding of the Muses tripled their triad and established a set of nine goddesses, who embody the arts and inspire creation with their graces through remembered and improvised Song and mime, writing, traditional music, and dance. It was not until Hellenistic times that the following systematic set of functions was assigned to them, and even then there was some variation in both their names and their attributes: Calliope (epic poetry), Clio (history), Euterpe (flutes and lyric poetry), Thalia (comedy and pastoral poetry), Melpomene (tragedy), Terpsichore (dance), Erato (love poetry), Polyhymnia (sacred poetry), and Urania (astronomy).
According to Pausanias in the later second century AD, there were originally three Muses, worshipped on Mount Helicon in Boeotia: Aoide ("Song" or "tune"), Melete ("Practice" or "occasion"), and Mneme ("Memory"). Together, these three form the complete picture of the preconditions of poetic art in cult Practice.
In Delphi three Muses were worshiped as well, but with other names: Nete, Mese, and Hypate, which are assigned as the names of the three chords of the ancient musical instrument, the lyre. Alternatively, later they were called Cephisso, Apollonis, and Borysthenis, names which characterize them as daughters of Apollo.
According to Hesiod's Theogony, they were daughters of Zeus, king of the gods, and Mnemosyne, Titan goddess of Memory. Hesiod in Theogony narrates that the Muses brought to people forgetfulness, that is, the forgetfulness of pain and the cessation of obligations.
Sometimes the Muses are referred to as water nymphs, associated with the springs of Helicon and with Pieris. It was said that the winged horse Pegasus touched his hooves to the ground on Helicon, causing four sacred springs to burst forth, from which the Muses, also known as pegasides, were born. Athena later tamed the horse and presented him to the Muses.
The Muses, therefore, were both the embodiments and sponsors of performed metrical speech. Others included science, Geography, Mathematics, Philosophy, and especially Art, Drama, and inspiration. The Histories of Herodotus, whose primary medium of delivery was public recitation, were divided by Alexandrian editors into nine books, named after the nine Muses.
For poet and "law-giver" Solon, the Muses were "the key to the good life"; since they brought both prosperity and friendship. Solon sought to perpetuate his political reforms by establishing recitations of his poetry-complete with invocations to his practical-minded Muses-by Athenian boys at festivals each year. He believed that the Muses would help inspire people to do their best.