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Young Adult Fiction

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Young Adult Fiction
Young adult fiction (YA) is a category of fiction written for readers from 12 to 18 years of age. While the genre is targeted to teenagers, approximately half of YA readers are adults.
The subject matter and genres of YA correlate with the age and experience of the protagonist. The genres available in YA are expansive and include most of those found in adult fiction. Common themes related to YA include friendship, first love, relationships, and identity. Stories that focus on the specific challenges of youth are sometimes referred to as problem novels or coming-of-age novels. Young adult fiction was developed to soften the transition between children's novels and adult literature.
21st century
Since about 2017, issues related to diversity and sensitivity in English-language young adult fiction have become increasingly contentious. Fans frequently criticize authors – including those who themselves belong to minorities – for "appropriating" or wrongly portraying the experiences of minority or disadvantaged groups. Publishers have withdrawn several planned young adult novels from publication after they met with pushback on these grounds from readers on websites such as Goodreads. Authors have reported harassment, demands to cease writing, and death threats over social media. To prevent offending readers, publishers increasingly, though with mixed success, employ "sensitivity readers" to screen texts for material that could cause offense.
Themes
Many young adult novels feature coming-of-age stories. These feature adolescents beginning to transform into adults, working through personal problems, and learning to take responsibility for their actions. YA serves many literary purposes. It provides a pleasurable reading experience for young people, emphasizing real life experiences and problems in easier-to-grasp ways, and depicts societal functions.
An analysis of YA novels between 1980 to 2000 found seventeen expansive literary themes. The most common of these were friendship, getting into trouble, romantic and sexual interest, and family life. Other common thematic elements revolve around the coming-of-age nature of the texts. This includes narratives about self-identity, life and death, and individuality.
Uses in the classroom
YA has been integrated into classrooms to increase student interest in reading. There is a common misconception that YA lit is solely for "struggling" or "reluctant" readers and should only be used in remedial classes. Studies have shown that YA can be beneficial in classroom settings. YA fiction is written for young adults so often it is more relevant to students' social and emotional needs than classic literature. Use of YA in classrooms is linked to:
• higher levels of engagement and motivation among students
• increased levels of self-confidence, personal development and self-identification
• increased desire to read similar books
Students who read YA are more likely to appreciate literature and have stronger reading skills than those that don't. YA also allows teachers to talk about "taboo" or difficult topics with their students. For example, a 2014 study shows that using Laurie Halse Anderson's novel Speak aided in discussions on consent and complicity. Those who read about tough situations, like date rape, are more emotionally prepared to handle the situation if it arises. It is important to use diverse literature in the classroom, especially when discussing taboo topics, to avoid excluding minority students.
Literature written for young adults can also be used as a stepping stone to canonical works that are traditionally read in classrooms, and required by many school curriculums. In Building a Culture of Readers: YA Literature and the Canon by Kara Lycke, Lycke suggests pairing young adult literature and canon works to prepare young adults to understand the classic literature they will encounter. YA can provide familiar and less alienating examples of similar concepts than those in classic literature. Suggested pairings include Rick Riordan's Percy Jackson series with the Iliad or the Odyssey, or Stephenie Meyer's Twilight with Wuthering Heights. When discussing identity, Lycke suggests pairing Hawthorne's The Scarlet Letter with Sherman Alexie's The Absolutely True Diary of a Part Time Indian.